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		<title>Antiques for sale: but how do you get the best prices?</title>
		<link>http://writeantiques.com/antiques-for-sale-but-how-do-you-get-the-best-prices/</link>
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		<pubDate>Thu, 27 Jul 2006 14:03:00 +0000</pubDate>
		<dc:creator>Christopher Proudlove</dc:creator>
				<category><![CDATA[Selling]]></category>

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		<description><![CDATA[by Christopher Proudlove©There&#8217;s a sudden death in the family and whilst it is inevitable, it&#8217;s still devastating. But there are practicalities to deal with, most importantly security issues surrounding a house full of possessions now standing empty. Thankfully, there was a will, and special things have been bequeathed to relatives for whom they have a [...]]]></description>
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<div> <a href="http://www.flickr.com/photos/chrisp/199548873/" title="Photo Sharing"><img src="http://static.flickr.com/60/199548873_56fea71e71_m.jpg" alt="Rubens" height="124" width="240" /></a></div>
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<p>by Christopher Proudlove©<br />There&#8217;s a sudden death in the family and whilst it is inevitable, it&#8217;s still devastating. But there are practicalities to deal with, most importantly security issues surrounding a house full of possessions now standing empty. Thankfully, there was a will, and special things have been bequeathed to relatives for whom they have a special meaning.</p>
<p>Executors face the task of dealing with the remainder of the contents and the house must be put on the market. It&#8217;s a well-kept home, and in a rising market, a buyer soon comes forward. It all starts to move frighteningly quickly. The buyer wants to complete quickly but the house is still full of a lifetime&#8217;s accumulation of furniture, furnishings, knickknacks and general detritus that no one really wants.</p>
<p>So what to do? In the end, and with the completion date looming, the family decision is to send the lot to the local auction house and let it take its chance.</p>
<p>And then there&#8217;s the other scenario. After years of collecting, you decide that in order to carry on, some of it simply must be sold. In the event, it proves hard enough just deciding what you&#8217;re prepared to part with, but go it must. Problem is, it&#8217;s all highly specialised and not everyone&#8217;s cup of tea. And anyway, why should you pay auctioneers&#8217; commission when you&#8217;re perfectly capable of taking it to a car boot sale and selling it yourself? You&#8217;ve bought enough that way, so why not try your hand at selling?</p>
<p>We speak from personal experience of both situations and we made mistakes &#8212; all of them costly &#8212; each time. This week&#8217;s column is prompted by the experiences of a [North Wales] reader who was also left counting the cost of making the wrong decision about how to deal with the sale of unwanted property.</p>
<p>When we chose to take the remaining contents of our relative&#8217;s home to the local saleroom, we felt we had no option. He was a great fan of Models of Yesteryear miniature cars, which were still in their original boxes; Franklin Mint limited edition &#8220;collectables&#8221;; Bradford Exchange plates and other such knickknacks that were relatively expensive when they were purchased but worth very little second-hand.</p>
<blockquote><p><span style="font-size:130%;">Auction checklist:<br />*Be informed &#8211; read and understand the conditions of business<br />*Be prepared &#8211; get a valuation first<br />*Be sensible &#8211; listen to the auctioneer&#8217;s advice<br />*Be realistic &#8211; set achievable reserve prices<br />*Be thrilled &#8211; there is no upper limit to prices auctions can achieve</span></p></blockquote>
<p>Of course, we could have boxed it all up along with all the domestic chattels we found and taken it to a weekend car boot sale, where we might have been able to sell it for at least reasonable prices. But where was it all going to go? Our own house is already stuffed with junk and anyway, it was winter, and the car boot sale season was months away. Perhaps we should have stalled on completing the house sale but that could have cost us a buyer.</p>
<p>No, we had no choice. It had to go to the saleroom. Yes, we knew we would be lucky if it sold for anything like reasonable amounts. We also thought we knew the saleroom. We had been buyers there years before and thought we knew the system. But things change. What we didn&#8217;t realise, until we got the settlement cheque, was that the saleroom now levies a minimum lot charge, plus something euphemistically called a &#8220;lotting charge&#8221;.</p>
<p>The former seems fair enough in these days of high labour costs and other spiralling overheads. The idea is that if you charge the seller a set fee per lot &#8212; it can vary between say £5 for chattels and £25 for cars &#8212; designed to discourage people consigning low value items for sale. Some salerooms levy the charge regardless of the selling price and charge nothing further, while others shift the charge to a percentage of the selling price should the minimum sum be exceeded. Commission charges can range from as low as 5% to as high as 20%. And don&#8217;t forget the 17.5% VAT, which is payable on the commission.</p>
<p>The lotting charge &#8212; made by the saleroom for simply going through the property, deciding on what should be sold with what, sticking lot numbers on it and describing it in the catalogue &#8212; seems particularly harsh. In our own case, we had got hold of some cardboard boxes and put into each of them the stuff we thought should make up each lot, so in effect, the work was done. The auctioneer didn&#8217;t see it like that and charged us for having his porters do it again (it was not a catalogued sale).</p>
<p>Needless to say, the final settlement cheque was a fraction of what we were expecting and in an already somewhat emotional state about the entire experience, it was all very annoying.</p>
<p>Our car boot sale blunder was much simpler to explain. Decades ago we somehow acquired a cardboard shop advertising sign for Scotch whisky. It was probably Edwardian and was decorated appropriately enough with a rather imposing chappy in full Highland kit standing in front of a castle.</p>
<p>We sold it, from memory, for £15 and thought we&#8217;d done rather well since we knew that such things had become collectable. Imagine our dismay then when by chance we saw it (or at least its identical twin) had sold in a specialist auction for £250. The dealer had recognised it for what it was, a rare depiction of Bonnie Prince Charlie used in advertising, standing with his father&#8217;s standard having raised an army to successfully march on the city of Edinburgh. Embarrassed at my error of judgement, this is a story I share only with my close friends.</p>
<p>The reader who wrote to me had had a similarly rough time of it. An avid &#8220;Flog It! watcher and a collector for 30 years, she thought she would have a clear-out. With some hefty household bills on the horizon, she needed to raise some money and thought the saleroom route was her best solution.</p>
<p>She contacted the auctioneer who duly sent her an entry form which included the saleroom&#8217;s conditions of business. It wasn&#8217;t easy for her to reach the decision to part with things to which she had become emotionally attached over the years but needs must. With some help from a heavy box-lifter she piled around 200 objects into the back of her campervan and set out on the lengthy journey to the sale.<br />
<blockquote><span style="font-size:130%;">Car boot checklist:<br />*Be informed &#8211; know the value of the stuff you&#8217;re selling<br />*Be prepared &#8211; label everything with prices beforehand<br />*Be sensible &#8211; bargain-hunters expect to haggle prices down<br />*Be realistic &#8211; you won&#8217;t sell everything first time out<br />*Be thrilled &#8211; you got hard cash for the stuff the auction house turned away</span></p></blockquote>
<p>She had taken the precaution of listing everything for sale and had selected five things of particular importance to her on which she placed reserves &#8212; prices that she had decided they would not be sold for less. Her arrival at the saleroom was not what she had anticipated. She saw a general valuer who made it clear that her treasures were not as valuable &#8212; or as saleable &#8212; as she had hoped.</p>
<p>If the collection had to be sold, the recommendation was that everything should be offered without reserve and in sizeable job lots lumping together disparate objects, none of which the auctioneer really wanted in his sale in the first place. The result was disappointingly poor from a financial point of view and both distressing and upsetting. Instead of the couple of hundred pounds she anticipated, her goods sold for a total of £24, from which £15 was deducted in auctioneer&#8217;s commission, leaving her with a cheque for just £9.</p>
<p>So, what went wrong? And was the auctioneer negligent?</p>
<p>In simple terms the saleroom was not the place to sell. Quite clearly the stuff would have fetched better prices at a car boot sale. And no, the auctioneer was not guilty. He did everything by the book and obtained the best prices he could on the day. Could the upset to his client have been avoided? Possibly.</p>
<p>Had she read and understood the conditions of business, she might have known the saleroom levied a £5 charge on each lot it sells. Had she realised the significance of selling without reserve, she might still have had the option to take her possessions to the car boot sale. Signing up to the idea of selling without the protection of a fixed reserve price meant that any final bid, however low it might be, would be sufficient for the auctioneer to sell the lot. She would be the only loser.</p>
<p>Most salerooms around the country run weekly valuation days at which members of the public can take collections of objects for a free valuation which is given without obligation on either side. My advice is to take advantage of that service, then you&#8217;ll be in a better position to make an informed judgment: auction excitement or car boot sale challenge.</p>
<p>Send stuff to the auction and my advice is never leave anything for sale without agreeing a fixed reserve with the auctioneer. If he sells it for less, he&#8217;ll be obliged to pay you the difference.</p>
<p><span style="font-size:130%;">WriteAntiques is happy to provide readers with free, impartial advice on how best to sell antiques and works of art. Email WriteAntiques &#8220;at&#8221; chris-proudlove.co.uk</span>
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		<title>Antique price guides &#8211; one way of selling with certainty</title>
		<link>http://writeantiques.com/antique-price-guides-one-way-of-selling-with-certainty/</link>
		<comments>http://writeantiques.com/antique-price-guides-one-way-of-selling-with-certainty/#comments</comments>
		<pubDate>Mon, 14 Nov 2005 15:56:00 +0000</pubDate>
		<dc:creator>Christopher Proudlove</dc:creator>
				<category><![CDATA[Auctions]]></category>
		<category><![CDATA[Selling]]></category>

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		<description><![CDATA[by Christopher Proudlove©Español &#124; Deutsche &#124; Français &#124; Italiano &#124; Português There are two certainties in life: death and taxes. It&#8217;s an oft repeated truism, but I&#8217;d like to add a third: selling one&#8217;s possessions &#8212; as often as not the result of the other two. But as I&#8217;m learning myself &#8212; and, I might [...]]]></description>
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<p></span><br />There are two certainties in life: death and taxes. It&#8217;s an oft repeated truism, but I&#8217;d like to add a third: selling one&#8217;s possessions &#8212; as often as not the result of the other two.</p>
<p>But as I&#8217;m learning myself &#8212; and, I might add, to my cost &#8211; that selling stuff for the right price ain&#8217;t easy.</p>
<p>Any fool can buy, all you need is cash. But parting with the treasures you&#8217;ve lived with over the years can be a painful experience. Getting back what you paid for them, or better still, making a little profit, takes away some of the sting, but move house as we did recently leaves little time to negotiate the best deals.</p>
<p>Getting rid of junk is easy &#8212; stick it in the back of the car, and take it to the nearest dump. Or if you fancy a little entrepreneurial flutter, drive it to a car boot sale and flog it off. Just be prepared to sell it cheap.</p>
<p>What happens if you&#8217;ve got something special? Good question.</p>
<p>There are basically three options: sell it by auction; sell it to a dealer or sell it to a collector.</p>
<p>A priority before making the choice is to know (or find out) ahead of time what the stuff is worth.</p>
<p>It also helps to know what the things cost in the first place. The difficulty here is that you may not have purchased them yourself. Perhaps aan object was a gift, perhaps it was an inheritance, either way you&#8217;ll never know what it cost.</p>
<p>Own a collection of objects and the nightmare is multiplied by the number of pieces the collection contains.</p>
<p>So, the first move should probably be to seek opinions. Sell a house and if you&#8217;ve got any sense, you&#8217;ll ask two or three estate agents for a valuation before selecting which one to go with.</p>
<p>So it is with selling antiques. Show the piece to preferably two auctioneers and two dealers and get a ballpark figure.</p>
<p>Be careful not to hawk the object around too widely. By doing so you stand the risk of over-exposing it &#8212; the trade describe the object as having been &#8220;burnt&#8221; &#8212; with a sometimes disastrous effect on its likely selling price.</p>
<p>If the ballpark figure is acceptable, than the choice is relatively simple. Needless to say, however, the sailing can be far from plain.</p>
<p>The auctioneer may well have said flatteringly that your granny&#8217;s vase is worth £2000-3000, but will his buyers agree? His estimation of it&#8217;s worth will be based on past experience of selling similar objects, but the proof of the pudding will be when the hammer falls at the sale.</p>
<p>Also, it&#8217;s important to remember the auctioneer&#8217;s commission charges, levied by him to help cover his costs. This varies from saleroom to saleroom from as low as 8% to as high as 20%.</p>
<p>Add to that charges for carriage, photography, the iniquitous so-called lotting charge levied by some, and the size of your cheque can be somewhat less than you anticipated unless you did your homework first.</p>
<p>Then, of course, the piece might not sell, and to make matters worse, the auctioneer might charge you an unsold fee. As in any business of this nature, be sure to read and understand the auctioneer&#8217;s conditions of business.</p>
<p>The upside to an auction is the competitive nature of the bidding. If the right buyers are there at the right time and they want the object you&#8217;re selling, then there is no upper limit to the price it might achieve.</p>
<blockquote><p>One essential for the budding antiques valuer &#8212; and anyone considering selling anything old &#8212; is a good antiques price guide. There are dozens on the market. Two names stand out among the best: Judith Miller and Miller&#8217;s.</p>
<p>Time was when the two names were synonymous. Then Judith branched out on her own and formed The Price Guide Company whose guides are published by Dorling Kindersley Ltd.</p>
<p>Miller&#8217;s, meanwhile, is now a division of Mitchell Beazley and uses a number of guest editors to produce guides on every subject imaginable.</p>
<p>The products of both companies make fascinating reading and ideal coffee table books for the enthusiast and beginner alike.</p>
<p>Flicking through their pages, it&#8217;s hard to avoid sucking the air through one&#8217;s teeth thinking good heavens, is it really worth that much? or Wow, I got mine for a fraction of that price.</p>
<p>Remember though that these are price guides, not price lists. They are &#8220;based on&#8221; actual prices realised had auction or offered for sale by a dealer.</p>
<p>Problem is, they are out of date as soon as they&#8217;re printed. Fashions change, trends vary, and no one likes paying more than they have to for anything, so the prices quoted &#8212; which in the case of the auction houses includes buyers&#8217; premium &#8212; need to be taken with a pinch of salt.</p>
<p>A big selling point for both &#8212; and a feature which makes them extremely handy &#8212; is the addition of explanatory footnotes and snap-shot features giving brief but valuable details about manufacturers and their products that would otherwise take hours of research to uncover.</p></blockquote>
<p>Selling to a dealer is comparatively simple. Strike a deal leaving room for profit for him and a agreeing satisfactory price for you and he&#8217;ll give you cash in hand on the day with no charges and no worry that the object might come back to you when it doesn&#8217;t sell.</p>
<p>But how do you know the value the auctioneer is estimating or the price the dealer is offering is a fair one?</p>
<p>The answer is to do your homework first.</p>
<p>First off, understand that the only way to learn about antiques and what they&#8217;re worth is with hands-on experience.</p>
<p>Go to as many auctions, antiques shops, antiques fairs, flea markets and car boot sales as you possibly can. Handle the objects on offer and take note of the prices being achieved and asked for. If the sale has a catalogue, mark prices against each lot. On a tour of retail outlets take a notebook and scribble down prices.</p>
<p>Play game with yourself: try to guess the price of an object and compare your opinion with either the printed estimates or the dealers&#8217; labels.</p>
<p>Ask questions. Dealers delight in talking to their customers and are generally only too happy to impart their knowledge. After all, that&#8217;s probably how most of them learned their trade too.</p>
<p>When viewing an auction sale, you invariably find the auctioneer walking the floor. Ask him why two seemingly identical objects have such a wide variation in the prices he expects them to fetch.</p>
<p>He&#8217;ll point out things that you that otherwise would be a mystery: hidden damage; poor restoration; marriages &#8212; when tops and bottoms of a piece of furniture don&#8217;t go together; subtle differences in designs and colourways and so on.</p>
<p>Talk to other collectors. They too are delighted to be given the chance to make a convert to their hobby. They are mines of information which make them extremely valuable people to know.</p>
<p>The more you see and the more people you meet, the more knowledgeable you will become.</p>
<p>Go to the library. Find the antiques reference section and read everything you can get your hands on.</p>
<p>There is currently a plethora of TV programmes. Watch them all and try to second-guess the experts. After a while, your valuations expertise will become something of a party piece.</p>
<p>By then you can start making and spending your hard-earned money!</p>
<p><span style="font-weight:bold;font-style:italic;">Pictures show, top: Any advance on £45 million? Sotheby&#8217;s chairman Henry Wyndham selling a previously completely unknown early work by Sir Peter Paul Rubens, Massacre of the Innocents, which sold for £49.5 million ($76.7 million) making it the most expensive Old Master painting ever sold</span></p>
<p><span style="font-weight:bold;font-style:italic;">Below, left: Judith Miller&#8217;s 2006 Collectables Price Guide</span></p>
<p><span style="font-weight:bold;font-style:italic;">Right: Miller&#8217;s Collectables Price Guide edited by Madeleine Marsh</span></p>
<p>
<div style="text-align:center;"><a href="http://www.flickr.com/photos/chrisp/62173057/" title="Photo Sharing"><img src="http://static.flickr.com/27/62173057_fe1b6b7a95_m.jpg" alt="Judith guide" height="240" width="163" /></a><a href="http://www.flickr.com/photos/chrisp/62264973/" title="Photo Sharing"><img src="http://static.flickr.com/26/62264973_18bd7b9ed4_m.jpg" alt="Miller's guide" height="240" width="161" /></a></div>
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